MUCH of my professional writing and thinking is based on memory: a meditation on how to integrate a complex past with the puzzling challenges of the present day. It is the work of a memoirist, to excavate love and loss, at a deeply personal level – and those are the kinds of books and features I have been writing over the past ten years. But I am struck right now by this challenging quote from André Gide:
“Through loyalty to the past, our mind refuses to realise that tomorrow’s joy is possible only if today’s makes way for it; that each wave owes the beauty of its line only to the withdrawal of the preceding one.”
Maybe it is time to write and live in a different way – more tuned into the present tense, less concerned with the echoing chambers of an ever-increasing yesterday?
The end of each adult decade, for me, has seen turbulent change: at 29, a total change of direction, from journalism into contemporary dance and theatre; at 39, a flight – with a terminally ill spouse and a young child under my wing – away from the urban chaos of South London, to the green Northern hills of Leeds; at 49,a bruising, but vibrant, re-entry into the workplace, after my husband’s death from a vicious cancer: with the digging of a garden and an allotment there in the background, to steady my shaky boots. And now, at 59, after two years of my own poor health – the inevitable final ebbing of a personal wave of energy – it’s time to take stock again. A new decade beckons.What will it bring?
With a country divided and bitter, after the disastrous European Union Referendum, and Brexit, two things seem critical in this moment: finding small ways to be kind and constructive to each other, whether it is to smile at the face of a stranger, or take a warm blanket to a drop-off point for refugees in Calais; and – starting to live, quietly and positively, in the immediacy of each day, exactly as it unfolds. Looking back with bitterness won’t change a thing. Catastrophising about the future makes us nothing but prisoners.There is a more subtle way to break free.
I have just read, for the second time, Simon Fitzmaurice’s extraordinary memoir, ‘It is not yet dark’. A young Irish film maker and writer, Fitzmaurice writes of his unexpected and cataclysmic diagnosis with Motor Neurone Disease. And he does this with candour, poetic clarity, and a total lack of self pity or recrimination. He also, with an acute awareness of a new and constant companion – death – on his young shoulders, chooses to write, as he lives, in the imperative of the present tense. Even his memories are written as contemporary accounts. There is no time to lose, for any of us. Fitzmaurice knows this, reminds us, urges us on. And, oh, the wonder he conveys, the beauty of simply being here, now, in the world. “I’m burning with this life” he writes.
And I realise that I am too. Burning with it all. So let the tide of energy – my strange, half-looking-back,struggling-to-catch-up,ever-changing fifties – go out fully now. A summer of rest and play. And at the autumnal turn of that tide, I shall be sixty. Ready, as the buddhist philosophers would have it, to “be more curious than afraid”. Ready to meditate more, dance more, garden more, write more, teach more, sing and travel more. And all in the beautiful, ever-vital, ever-changing present. I hope to see you there.
‘It’s Not Yet Dark’ by Simon Fitzmaurice (Hatchette Books Ireland)
‘A Handful of Earth’ by Barney Bardsley (John Murray)
‘Old Dog’ by Barney Bardsley (Simon and Schuster)