Malham Cove

umb fingers, biting winds

vercoat buttoned high to the throat

iolet slanting rays of a dying sun.

cstasy of brightness, turning to winter dark.

agnificence rising. A cave of limestone rock.

itter, monumental cold.

verlastingly lovely – this

adiant, primal world.







‘For whatever we lose (like a you or a me)

it’s always ourselves we find in the sea.’



JULY. Life changes in an instant. One moment I am upright, and hurrying to the shops in the London rain. The next, a crash: a fall from full height, to flat out, cold, motionless, stunned. Total silence – no shrieking – and a searing, terrifying pain. I am smeared across the wet concrete – foot caught in the looped lace of the other boot (a borrowed pair, far too big) – my right shoulder taking a direct hit from the pavement beneath. Too shocked to speak, or even draw breath. Shoulder mangled and trapped under my right side. Smashed to pieces with a hammer, or so it seems. Pain like a hot rod of lightning to the brain. The people around me on the busy street are as shocked as I am – “Don’t move!” “You came down with a hell of a bang!” – and are solicitous, very kind, as they help me to my feet. But standing is impossible. I have forgotten how to walk. My right arm hangs loose: falling – fractured – from my back, all moorings lost. And I am a bag of loose screws and nails. A thundercloud, angrily rolling and boiling. A collection of bones that no longer belong to a body, just break off and separate, and go their different ways. I am a frightened empty space, and life has changed in an instant. Broken.

Speech does return, cognition too. Sugared water from the nearby cafe, stops me fainting and falling again. I find the words to call my friend, who drives me to the hospital – every speed bump an agony, every corner turned, a roller coaster of jingle jangled nerves. Every second a head burst of jagged colours, and splintering zig zag lines. The Accident and Emergency department is Sunday quiet, which is a mercy, and the nurses are kind, though mostly cool and disengaged. An X ray reveals a deep fracture – the head of the femur is split from the impact of the concrete. A collar and cuff supports my arm, and opiates ease the worst of the pain. But I feel sick and fatigued. No longer myself. Split apart, body and soul.The immediate days and nights pass in a fog of bewilderment and disarray. I cannot dress myself, cannot wash – I find the descent towards the toilet, in order to pee, almost impossible to navigate, and feel the victory, when I achieve it, like the conquering of an Everest. Life is reduced to the smallest detail of survival. And on it goes, endlessly, day into night.

AUGUST. Sanctuary is sweet in London, despite all the trauma: my friend is a Florence Nightingale, who brings pieces of toast on a tray to my bed, and carefully cuts them into uneven pieces, for easier eating – and for amusement; and she sneaks in small glasses of wine, despite all the opiates swimming round my body, and with the head nurse’s approval, it has to be said: “With what you’ve been through, I think you deserve it, don’t you?” But through all the kindness, the solicitude and love, I am suffering a lot – am sick and feeble and shocked – and my home is two hundred miles away, up North, in Leeds. I have to get back there, no matter what, though the thought of the journey is making me cold. London, Kings Cross is insanely busy, bad tempered, bullying. The escalators are a nightmare – how to get on, how to get off? Everything is awkward, impossible to manage, trudging along one-handed, suitcase dragged behind me – the fear of being knocked in the shoulder, haunting me at every step. But I do it, because I must, because that’s why we do anything in life – and because I have to get home. The train journey picks up such speed that it almost breaks me all over again, as it hurtles north along the tracks, mangling my damaged shoulder, with the glee of a big kid in a school playground, picking on the little kid without mercy, and everybody else gathered round, cold-eyed, watching. But somehow… I do it. I am home and I am safe. If not quite in one piece. For everything changes. And I am not who I was.

I cancel all my summer plans  – including a much-prized scholarship to study in Hungary – and spend the whole of August in almost total seclusion, walking from bedroom to bathroom and back again, with monotonous regularity. I am sleeping fitfully – waking, but not quite awake. Never fully. Not myself. Someone strange. And when the four quiet walls of the house press in too close, I make it down to the local wood, and then the park, and I walk and I walk and I walk, to exhaustion. Because even though it jars my arm, I know my legs, at least, are in good working order – and I need to find my body again: little by little, limb by cautious, trepidatious limb. The nights are horrible – full of pain and every kind of discomfort. “You can take a lot more codeine, you know”, says the doctor at the fracture clinic. But when I do, the nightmares crash my sleeping hours, and I wake with a violent gasp, heart leaping from my chest like a wild panicked bird. And it feels like I’m falling, all over again.

The days, meanwhile, are full of boredom and ennui. I have no mind for reading, cannot drive, to get myself away from here – and avoid most company, except my daughter’s, because people tire me and confuse my brain. The speed of crowded bars, and the business of city streets, are impossible to manage. I get fearful and unsteady, too quickly, in society. So the society I keep, is mainly my own. Claustrophobia comes in little anxious bursts – and then I am out the back door to the nearby trees, to soothe it. Then the opposite hits me : and I scurry back to the comfort and languor of my room, the security of my own trusty bed. I wonder at the kindness of people: the woman in the supermarket who packs my shopping and lifts my bag and smiles with a sympathy that is not strained or manufactured. And I wonder, too, at people’s cruelty. The man who pushes at my broken arm – hurried, irritable, and quite unapologetic. The bus drivers who lurch into motion the minute I’ve clambered on board, sending me flying for support, whether it’s a roof strap,  the handle of a buggy, or some poor person’s outstretched leg. And the cars, the cars, the cars – that hurtle past me on the road: blind to the blue sling binding my neck and arm. Blind to the blasted broken wing, on this strange, stork-like creature, wafting anxiously at the pavement edge, waiting endlessly to cross to the other side.

There is tiredness. Boredom. Empty, empty time. And I find myself waiting for the night to come, so that I can lose myself in sleep, and while away another day. For even the nightmares are more interesting than this. And always there, at the back of my mind: the deep black hole of depression. More than anything, I must save myself from that particular dark and vertiginous fall.

SEPTEMBER. In the end it is the sea that rescues me. I book a week in a tiny cottage, called, with beautiful exactitude, The Little House, in Robin Hoods Bay, on the North Yorkshire coast. Train and bus is worth it for this. It is a house that wraps itself round me and it tells me I am safe, that this will be the place where I will heal. So I listen. And I hear the rhythmic sound of the waves – and the water that rushes through the stream outside my window,  pouring down with enthusiasm to the ocean’s edge. And I wake every day, and walk the few steps to the edge of the shore, and I gaze at the distant horizon. I feel the sea spray fill up my lungs – and it makes me bolder and stronger, minute by minute, day by day. Till I can climb the steps, one-handed, to the steep cliff edge above, and sit on the old wooden bench, and lose myself there. I follow the flight of the seabirds, arcing and swooping through the wide grey-blue skies. I look at the sea. I look at the clouds.  I breathe myself better, and I dream myself free. And I end each day with a smooth pint of Guinness, in a hotel bar, that perches right at the water’s edge, and plays hits from the seventies on a permanent loop, which suits my tastes just fine. This is a place where no one judges or pushes me, or wonders why I am there. They just leave me to my pint – and they let me get well again. And I do.


Sheer Poetry

IT”S NATIONAL POETRY DAY! To celebrate this, I have chosen the first part of a favourite Hungarian poem, by Attila József, and attempted a rough simultaneous translation into English. See below. It was the Hungarians who first got me mesmerised by poetry, and I love this poem in particular, which I write more about here . And by some strange synchronicity, it is the two countries of Britain and Hungary who are twinned to host the European Capital of Culture 2023, with my home town Leeds as a mighty contender in the bid. Here goes then… Here’s to the power of poetry and internationalism. (The picture above is a typical Budapest corridor inside a block of flats.)

Reménytelenül/ Hopelessly   by Attila József (trans. Barney Bardsley)

1. Az ember végül, homokos,

szomorú, vizes síkra ér

szétnéz merengve és okos

fejével biccent, nem remél.

He is one who comes to rest at last

by that sad and sandy, dampened shore.

He looks around him, undistressed,

nods his head, and hopes no more.

2. Én is így próbálok csalás

nélkül szétnézni könnyedén.

Ézüstos fejszesuhanás

játszik a nyárfa levelén.

And I, too, try to turn my gaze

without deceptions, gracefully.

The swish of a silver axe now plays

on the soft leaves of the poplar tree.

3. A semmi ágán ül szivem,

kis teste hangtalan vacog,

köréje gyűlnek szeliden

s nézik, nézik a csillagok.

On a branch of nothing sits my heart,

it silently trembles from afar,

gathering gently, round they come –

and watching, watching, are the stars.